A few years ago, a Japanese artist named Hiroshi Sugimoto created an exhibition called the Lost Human Genetic Archive an installation that depicted a couple of dozen apocalypse scenarios. Yamanaka isn’t the only one that has mused on the potential implications of people finding a kind of god-experience in the digital realms. If you take someone like her and actually defeat her… well, that would be the equivalent of god killing of this era. “So we can see that Hatsune Miku is a kind of saviour and being to believe in for the young people in the current era. People are more inclined to believe in them instead of a god. But lately, people in the current era, they don’t believe in gods anymore, and they’re moving more towards worshipping idols or famous TV stars. “It was an appealing narrative theme because it’s something that was very taboo, of course, and as such a lot of people found the idea fascinating. “In Japanese spirituality and folklore, there’s a common theme in the concept of humans fighting against gods and defeating them,” Yamanaka said. Yamanaka confirmed by suspicions about μ from my own play-through of The Caligula Effect she is indeed modelled closely on Hatsune Miku. Your opposition are the people who are quite content with the virtual world they now inhabit. Central to this world, and its creator and God, is the digital superstar singer, μ (Mu).Īs the player, your job is to lead a team of ‘woke’ heroes in their bid to defeat this God and escape from her universe back into the real world. In denying reality they find peace and harmony… but naturally they do so at the expense of their ability to interact with reality. The Caligula Effect depicts a virtual world, free of the difficulties of life, that people escape to, and lose themselves within. Scratching beneath that reveals a game of layered themes and nuance, and at the centre of it all is Hatsune Miku. That might be the general concept of the game, but that’s just the surface.
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